Saturday 9 September 2017

Jaisal Italy and The Living Fort



10.9.2017, End of Day 3 & 4, Jaisalmer, 12:46am




“Amar raho Jaisan-nath
Girdhar ke pyare laal
Sheesh par teehare chaaje
Dwaar par teehare baaje
Ghanan ghanan ghanan ghor
Indra ke nagare”
Be immortal, Oh King of Jaisalmer,
Beloved of Giridhar
Your throne is made of sheesham,
And clouds shower their thundering sounds at your door
Like they do in Indra’s abode

Finding an authentic Italian plus Indian restaurant, called “Jaisal Italy” in the ramparts of the fort was the last thing I expected in Jaisalmer, and as I bit into my olive-cheese pizza at 11p.m in the night, the music from our documentation from last day echoed in my ears. I loved Jaisal Italy as much as I loved the music from the previous day. This was my second visit to Jaisal Italy in the same day. I loved the food and the ambience so much that I decided to take my fellow volunteer Saurabh, for dinner in that place. This is the case with some places, they just connect to you, where Architecture beautifully blends with traditional materials, and offers interesting choices of food. You can have a beautiful view of the fort, and relish your Palak paneer as well as Cheese-olive pizza. This is the land of ruins, love, music, grandeur, royalty and FOOD ! Eat, eat and eat, till you satisfy your inner soul.

These past two days have been exhausting, with a mild migraine attack as well, but even with migraine, I couldn’t resist myself from climbing up the stairs and alleyways of Rani Mahal, to reach the terrace of the fort in a blazing sunlight at 4 in the afternoon. Nothing else in this world matches the majestic view of the city from Rani Mahal, one of the prominent attractions of Jaisalmer Fort, the only living fort in India. If I begin writing about the history of Jaisalmer Fort, the one blog post won’t be enough. Unsurmountable, the pride of “Jaisan”, as Jaisalmer is called in the local dialect. 

Yesterday’s shoot began with documenting the music of Akbar and Hassan Khan, who have been singing for the royal court since 9 generations. Each time before a coronation ceremony, these artists were commissioned to prepare songs especially for that occasion, a song dedicated to the upcoming Maharaja, the heir of the royal family. These royal families have helped these musicians in their upliftment since generations, and like all other musicians in Jaisalmer, music is a tradition in their family too. 

These musicians are mainly darbar artists who have been singing for the royal families since 9 generations, and their songs are based on Raagas from Hindustani classical music. They do experiment with variations in terms of taal and raagas at times. The main instruments used for their singing are harmonium, khadtaal(Castanet, 4 pieces of wood, played by hand), ghada(earthen pot), and dholak for keeping time. Akbar Khan and Hassan Khan describe their musical ‘Gharaana’ as ‘Alamkhaana’ a titular head of hereditary caste Manganiyar and are professional singers and musicians who traditionally perform to their Jajman (Patrons) Rajput families.

When asked about the importance of music in their lives, Akbar Khan says “Music for them is like a protein for happiness”. It’s a divine art, used for story-telling.
And it does tell a story, the story of these 56 bastions of the fort, and the stories of these royal families. 

But personally, my day today was even more exciting than yesterday, what was meant to be an off-day, turned out to be full of work and fun combined. What appalled me is the sheer scale and magnitude of this “living” fort of Jaisalmer, where people have been living since centuries. The afternoon began with a tour of the two main “Mahals”, Raja ka Mahal and Rani Mahal, with the present crown Prince, Chaitanya Raj Singh. One advantageous thing about roaming around with the prince, and working with Anahad is that you get to go to all nooks and corners, where tourists are otherwise barred from entering. Not to forget, the special “royal” and important treatment that you get. But we deserve it for all the hard working hours we are putting in.. don’t we ? :) 
We interviewed Prince Chaitanya too, who shared a lot of stories with us about his childhood, and about his future plans for the fort. 

And I got to see, to feel, so many facets of life. Through the eyes of a historian, and through the art of one of the oldest Jewelry shop inside the fort, who has carved an image of Lord Krishna in a strand of a hair! Sheer awesomeness…or as our boss, and director of Anahad Foundation, Abhinav puts it.. It’s truly dope!!

In the afternoon, we had our lunch at this chic restaurant called “Jaisal Italy”, a small, cozy restaurant located just at the entrance of the fort. We all couldn’t help but stuff ourselves with the lip smacking food, and also, a feast for the eyes. As the evening set on, me, and our two immensely talented and passionate Masters of Film-making, Nishant and Aithram(volunteers with Anahad) went to the ramparts of the fort, to setup the camera for creating a time-lapse. 

The city looked beautiful from such a great height, and the tourists were still pouring in, ignoring the innocent pleas of my friend Nishant, to stay away from the front of the camera. Yet, these two passionate men, whom I have started admiring for their zeal and hard work, managed to complete their task. And as we hogged on our chicken chowmein and garlic chicken, we shared a lot of stories, ranging from the alleged thefts in Paris,to random topics, only to be overheard by a gentleman at the next table, who is all set to go to Europe shortly, and who got a little scared after hearing the theft stories. That gentleman, turned out to be a waste management expert. 

Well, it’s already 10th of September, and I am already dreading to face the reality of life, as I return to my regular job. But such experiences are necessary once in a while.
As I write the translations of their songs, the poet inside me couldn’t help but admire the beauty of the poetic lyrics. As I said earlier, simple yet profound! And combined with a powerful voice. My night ended with again hogging at “Jaisal Italy” and admiring the fort once again at night, all lit up. The deserted alleyways, with just fragments of night-time activity, like sacred flagpoles thrown pell-mell after a festival. The Architect and history lover inside me was overjoyed, as I strolled through the various alleyways of the area around the fort at night. These are the different shades of this medieval city, calm, energetic, brimming with hot spices and the aroma of “Daal Pakwaan”, the colorful turbans and traditional attire of the people, the creepy Rajasthani puppets. (Personally I love them, yet people find them creepy).
And so therefore, I end this really long blog post, with a promise to write daily till the time I am here, and till I have eaten at “Jaisal Italy” atleast two more times !!

And being a huge fan of Shakespeare, I would like to quote him for the Golden city of Jaisalmer, and now when I think of it, had Shakespeare been to Jaisalmer, I am sure he would have based a play in Jaisalmer and we would have had our own Indianized version of Romeo and Juliet.
So this is Sonnet 18:

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date.
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimmed;

Akbar and Hassan Khan's group

A view of the fort from Rani Mahal

These alleyways

Inside the Fort

Jaisal Italy

Through the Arches !



 

Thursday 7 September 2017

The Majestic Jawahar Niwas: The Architecture of Music



7.9.2017, End of Day 2, Jaisalmer, 10:26 pm


The hot sultry, Jaisalmer sun glared at us as we climbed the steps of the great 150 year old Jawahar Niwas, a sprawling mansion located close to Jaisalmer fort, offering a spending view of the fort in all its glory. The mansion, is a classic example of traditional Rajasthani Architecture, and has been converted to a hotel. For a second, the professor inside me, almost forgot that we are actually here for music documentation and not architectural documentation. I couldn't help but admire the old arches, the vintage furniture, and the truly "royal" feel of the place. Teaching History of Architecture for several semesters now has changed my perspective of looking at buildings. 
The golden sun, and the backdrop of the majestic Jaisalmer fort only beckoned me more and more to look at each intricate detail of the palace. The setting sun added to the beauty and the grandeur of the place. I had a hard time convincing myself that i have to actually work. :) 
However, as we prepared our setup for the song recordings, we interviewed Champe Khan, another folk artist from the Manganiyar community of Rajasthan. The Manganiar or Manghanhar and related Langha are Muslim communities in Sindh, Pakistan and in the desert of Rajasthan, India in the districts of Barmer and Jaisalmer, along the border of Sindh province of Pakistan. Majority of Manghanhar are found in the districts of Tharparkar, Sanghar, Mirpur Khas, Tando Allahyar, Hyderabad, Badin, Sujawal, Thatta, Jamshoro in Sindh Pakistan. They are famous for their classical folk music. They are the groups of hereditary professional musicians, whose music has been supported by wealthy landlords and aristocrats for generations.

Champe Khan is 38 and lives in the famous ‘Kalakaar colony” of Jaisalmer, and music has been providing his family livelihood since generations. When asked if the music is enough to sustain, Champe Khan said:

“Khuda uthaata khaali pet hai, par sulaata nahi”
(God wakes you up hungry, but he makes sure that you never sleep hungry)

The second day was full of experiences that I will never forget during my lifetime. To be this close to music is like a dream come true! And to actually carry-on a conversation with someone who is music and melody personified, and an epitome of classical folk music, took me to another world.

Here I am, perched like an albatross,
Stuck to the melody and the rhythm of this medieval city.

Champe Khan and his group lost themselves in a trance, and so did we, with their enchanting music in a mesmerizing locale, on the terrace of Jawahar Niwas. Their songs are mostly sung for various auspicious occasions like marriage and childbirth. Although there is one particular song which touched my soul, the lyrics are quite simple, yet, it appeals to you. Isn’t each one of us love-struck ? Waiting for their beloved to come back to them ? Each one of us has loved and lost.

“Love is not love, which alters when it alteration finds”

But such alteration is inevitable when it comes to love and relationships. Champe Khan’s songs combine love with the skill of music, and the result is a masterpiece.

“Gori johe baat, Saajan likhliyo kore kaagaz ve,
Baachun ghadi ghadi”

I wait for my beloved, I write his name on a blank paper, and I stare at that paper endlessly .

Simple, yet profound. 

According to Champe Khan, folk music appeals to everyone and has a power, yet some people don’t understand the power of folk music. Champe Khan, has travelled to various countries like Spain, Holland, Belgium, London and is all set to go to Australia for his next venture. Champe Khan, at times is faced with situations when people request popular folk songs, which have become a part of mainstream music, all thanks to bollywood. Even though, he feels a little dejected at times, music never dies, and it shouldn't, and the whole purpose of music, as he says, is to make people happy.
As I understand the livelihoods and culture of these people, I am immersing myself in a land of love, skill, ruins, and power. The power of music. I can’t wait to wake up the next morning, get onto work, and write pages and pages about my experience.
But, here I end this post because of an early 6am schedule for tomorrow. Before I crash for the day, I will like to share what Champe Khan has to say about music.

“Sangeet ek ibaadat hai, yeh dil se nikalta hai”

                                    Music is a form of worship, which transcends from heart.

Good night.